Shindo Labs Garrard 301 Player System

Over my many years of being an avid analog fan, I have listened to and owned many of the turntables, cartridges and arms available. One day at the pressure of one of my friends, I bought a Garrard 301... to say the least I was floored. How can a 50 year old turntable best the new acrylic, high dollar, 100 pound wonder tables? Well it did so in many important ways, such as solidity, presence, body, speed, dynamics and overall involvement. It did let me down in the areas of sound-staging, noise floor and low level detail retrieval. What if we could improve on these short comings?

Enter the Shindo Player System Modifications

Shindo Platter
The platter of a turntable must turn at the proper speed through many different levels of groove modulation, light modulation on quiet passages and heavy modulation on complex passages and everywhere in between changing from second to nanosecond. The needle is offering various amounts of resistance to the platter as it navigates these various levels of modulation. The heavier the platter, the farther from the pivot point we have this weight, the less the various resistances affect the speed. The better the platter maintains speed the warmer, more dynamic and natural the sound becomes due to the pitch solidifying. This weight must also be perfectly balanced or the effect is just the opposite. Just imagine spinning on your heel... now add a 10lb weight at arms length... now put the weight on the end of a 5 foot pole....this is your flywheel effect. At a certain point you'll have a hard time stopping yourself as the "flywheel" takes over. Also the platter must not vibrate/ring or it will effect the tracing of the modulations and that's why the Shindo uses a damped integral mat. The Shindo platter is 20mm larger than the stock unit, and about 3lb heavier.

The Shindo Spindle/Bearing
This must also be perfectly balanced (pitch and speed stability again), offer extreme rigidity and at the same time have minimal resistance. The bearing on a turntable is directly connected to the record itself via the spindle hole. Considering that it takes something along the lines of an electron microscope to see the groove's, you can imagine how little it takes to disturb the tracing of them. The Shindo bearing is higher mass, has a larger diameter and is machined to much tighter tolerances than the stock unit. It also uses a special oil.

The Shindo Plinth
The Garrard offers better performance than most tables due to its idler drive and large high torque motor. These two important items also have one major drawback, vibration. Vibration will affect the resolution of the playback system and can cause power robbing rumble (low frequency resonance). To dissipate this vibration we have one good option... mass. The only problem is that when filtering vibration from the table we must make sure we remove it evenly in frequency or we will add a "voice" to the table. The voice comes from filtering out the vibration more at certain frequencies than others. Shindo has done extensive research by the only means possible, building them and listening. This has taken many years to perfect. The Shindo plinth system uses layers of laminated hardwood glued together and lacquered by 6th generation master carpenters. There are no voids left under the table and literally the plinth fits the Garrard like a glove. Not only beautiful to look at but offers the highest performance. A must for every Garrard 301.

The Shindo SPU
The Ortofon SPU is a classic design dating back to the mid 1950's, considered one of the finest cartridges in the world due to it's amazing musicality and direct sweet sound. Shindo takes the Ortofon SPU and does some proprietary modifications to the damper, coil, suspension and cantilever. This makes the classic SPU sound more refined, extended and resolute. These cartridges work best on 12" high quality arms which are also the most desirable combination with a Garrard 301.

Shindo Arome Step Up
Shindo has designed a special hand made transformer especially for the SPU (also works with other low impedance cartridges such as Denon, Shelter etc.). It uses a balanced input (arm must be terminated with XLR plugs which is very easy) for better S/N ratio, RF rejection and better signal transfer of the low voltage of a MC cartridge. Step up transformers are the only way to properly use a low output cartridge- period.

Shindo Mersault RF-773 Tone-Arm
It's basically a high precision version of the legendary Ortofon/EMT RF-297. It's the same design using modern high precision ball bearings for superior tracking ability. This is the best arm for the Garrard 301.. we have tried many.

These are tremendous upgrades. They are not inexpensive but they bring the 301 up to the standards and well beyond the finest available.

Copyright Shindo Labs USA 2004-2005

Photos (c) Matthew Rotunda

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